1/23/2024 0 Comments Piranesi carceri plate ix sfumatoPurini, F.: Attualità di Giovanni Battista Piranesi. His most original works are etchings of extravagant, imaginary prisons, published as ‘Carceri d’Invenzione’ (1749/50). He studied architecture under his uncle, Matteo Lucchesi. (ed.) Giambattista Piranesi: matrici incise, pp. Giovanni Battista Piranesi The Round Tower, plate 3 from the second edition of Carceri d’invenzione (Imaginary Prisons), 1750, reworked 1761 Giovanni Battista Piranesi Cut-away view of the interior of the Basilica of S. Giovanni Battista Piranesi was born in Mogliano Veneto, near Treviso. Rossetti, D.: Il sepolcro di Winckelmann. įisher, R.B., Dawson-Howe, K., Fitzgibbon, A., Robertson, C., Trucco, E.: Dictionary of Computer Vision and Image Processing. Piranesi, G.B.: Invenzioni capric di Carceri all’acquaforte. Gonzalez, R.C., Woods, R.E., Eddins, S.L.: Digital Image Processing Using MATLAB. Northern Universities Press, Leeds (1999) Gavuzzo-Stewart, S.: Nelle Carceri di G.B. Praz, M., Focillon, H.: Giovanni Battista Piranesi. Pagine d’arte, Tesserete (2017)įocillon, H.: Giovanni Battista Piranesi. Yourcenar, M.: La mente nera di Piranesi. Sekler, P.M.: Giovanni Battista Piranesi's Carceri etchings and related drawings. Vogt-Göknil, U.: Giovanni Battista Piranesi “Carceri.” Origo Verlag, Zurich (1958) National Gallery of Art, Washington (1986) A critical study with a list of his published works and detailed catalogues of the Prisons and the Views of Rome. Essai de catalogue raisonné de son oeuvre. Keywordsįocillon, H.: Giovanni-Battista Piranesi. In addition to its implications for Piranesi studies, this research shows how digital image processing can be an essential tool for knowledge in the field of art. Observation of the results has suggested the distinction of two main types of modifications carried out by Piranesi (additions/integrations and removal), clearly identifiable in the synthesis pictures. GIOVANNI BATTISTA PIRANESI (1720-1778) Five Plates, from: Carceri etchings, circa 1749-50, comprising. This method is based on the application of image processing algorithms, which let to obtain a synthesis picture in false colours that clearly shows the modified parts of each plate. The contribution proposes a method of formal comparison between the two main editions of the series through the digital superimposition of two states of the same plate so that it is easier, more immediate, and more accurate to note the changes. This procedure involves some limitations due to the effort of synthesis and mental superimposition of the two pictures of different editions to correctly identify the areas where changes occurred. Up to now, comparisons have been conducted using juxtaposed pictures, whether original prints or digital reproductions. Many studies have focused on the semantic and formal comparison of the two main versions of the series. These are the 14 plates of the Invenzioni capricciose di Carceri all’acquaforte. This version, which is more widespread and better known, derives from the reworking of matrices that the Venetian engraver produced in 1749–50. Piranesi printed the 16 etchings of the Carceri d’invenzione in 1761.
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